This script highlights the rise and fall of Wesley Snipes, focusing on his controversies and career struggles. Initially, Snipes found success in films like “Major League,” “Passenger 57,” and “White Men Can’t Jump.” However, his career hit turbulence with legal troubles and accusations of unprofessional behavior.

In 2005, Snipes sued New Line Cinema and director David S. Goyer over “Blade: Trinity,” claiming breach of contract and racism on set. His frustrations were corroborated by friends, but co-star Patton Oswalt painted a picture of an increasingly difficult Snipes, leading to his ostracism in Hollywood. Snipes has consistently denied these allegations, attributing the negative portrayal to racial biases.

The script also discusses Snipes’ stance against reinforcing negative black stereotypes, notably rejecting a reboot of “New Jack City” to avoid perpetuating harmful images. This principled stand, while earning him respect in some circles, also made him unpopular with Hollywood executives.

Further, Snipes faced significant legal challenges, most notably a tax evasion case in 2006 where he was sentenced to three years in prison. He claimed racial targeting, but the court found him guilty. Despite the severity of his sentence, which he felt was disproportionately harsh, Snipes suggested his case was magnified due to his celebrity status and race.

His remarks in a 1997 interview with Ebony magazine, where he commented on dating outside his race and criticized black women, sparked backlash and alienated a significant portion of his fan base. These comments have haunted him, leading some to celebrate his misfortunes.

Overall, Snipes’ story is complex, intertwining professional highs with personal and legal lows, and highlighting broader issues of race and representation in Hollywood.