Monique & Lee Daniels Dragged For The Deliverance | Ghetto Glenn Close | HO

Sooo, Lee Daniels’ new horror movie The Deliverance marked a reunion for the director and Mo’Nique following their feud that lasted for over a decade!

But when I tell y’all a lot has been happening with this production, honey I mean exactly that.

From real demonic things happening on set, to people questioning the true nature of Lee and Monique’s relationship and Lee getting slammed for calling Glenn Close’s white ratchety character the fabric of black community!

Lee Daniels’ latest horror film, The Deliverance, marks a notable reunion between the director and Monique, a collaboration that comes after a highly publicized and contentious fallout. This project has certainly generated buzz, not only for its eerie content but also for the drama surrounding its production and casting choices.

Let’s start with the positives. The Deliverance boasts an impressive cast. Lee Daniels, known for his talent in directing powerful performances, has once again showcased his skill in assembling a stellar ensemble. Monique’s return to Daniels’ projects is a significant highlight. The film’s strong cast, including the unexpected yet intriguing choice of Glenn Close, brings a depth to the story that has been praised by many.

The movie is also inspired by real-life events, adding an extra layer of creepiness and authenticity to the narrative. It tells the story of Ebony, a single biracial mother who, after moving her recovering addict mother into her home, faces the dual challenges of battling a social worker’s scrutiny and a demonic presence haunting her children. The fact that the story is based on actual events has undeniably contributed to the film’s chilling atmosphere.

Despite the strong performances and intriguing plot, the film has faced substantial criticism. A major point of contention is Glenn Close’s portrayal of Alberta, a character described by Lee Daniels as a representation of a certain type of white woman prevalent in Black communities. Daniels has referred to Alberta as “the fabric of the Black community,” a statement that has been met with considerable backlash.

Critics argue that Daniels’ characterization of Alberta and his comments about the character’s role in Black communities are problematic. The film features Close in heavily made-up, exaggerated roles that some see as perpetuating stereotypes rather than providing a nuanced portrayal. Additionally, the decision to cast Close, a white actress, in a role based on a real-life Black woman has not sat well with many. It raises questions about why a Black actress wasn’t given the role, especially when considering the broader implications for representation and equity in Hollywood.

The production of The Deliverance has been marred by a series of bizarre and unsettling incidents, adding a layer of supernatural intrigue that’s as disturbing as the film itself. According to reports, real-life “demonic” occurrences plagued the set, from Lee Daniels’ dog passing away during filming to Monique being hospitalized due to an allergic reaction while filming an intense scene involving special effects.

These strange events have led some to wonder if there was more to these occurrences than mere coincidence. Daniels revealed that, following the incidents on sets of films like The Exorcist and Poltergeist, he hired a deliverer to perform rituals on set to ward off any evil spirits. Despite these efforts, the supernatural incidents continued, intensifying the film’s already eerie reputation.

Another layer of controversy stems from Monique’s relationship with Lee Daniels and the broader context of their professional history. After their fallout following the success of Precious, which involved disputes over promotional duties and accusations of blackballing, their reunion for The Deliverance has been seen by some as opportunistic rather than genuine.

Monique has publicly expressed forgiveness and a desire to rekindle her professional relationship with Daniels. However, skeptics question whether their renewed collaboration is truly about reconciliation or merely a strategic move to promote the film. The timing and nature of their reunion, coupled with the film’s subject matter, have led to accusations of insincerity.

The casting of Glenn Close and the portrayal of Alberta have sparked broader discussions about race, representation, and the responsibilities of filmmakers in addressing sensitive subjects. Daniels’ comments about Alberta being a fixture in Black communities have been criticized as reductive and dismissive of the complex realities faced by Black individuals. The choice to cast Close and the subsequent portrayal of Alberta as a caricature rather than a nuanced character raises valid concerns about the ethics of casting and representation.

Monique’s return to work with Daniels is significant, considering their past disputes. However, the context of their reunion—amid supernatural disturbances and contentious casting choices—has led to doubts about the authenticity of their professional and personal reconciliation. While some fans are thrilled to see them working together again, others view the partnership with suspicion, questioning whether it is a genuine healing or a calculated move for promotional purposes.

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